Rider

This week, I would like to direct you to check out an essay I wrote on Diff'rent Strokes and Knight Rider on HTML Giant.

Here's an excerpt:

"Fictional KITT (DS) is, like fictional KITT (KR), is a super-intelligent, wise-cracking computerized car. But fictional David Hasselhoff (DS) is the actor who plays a character named Michael Knight in Knight Rider."

For the rest of the week, I will post something small here every day.

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Tomorrow night, you can go to Neptune Coffee and see Amelia Gray, Evelyn Hampton, and Lotte Kestner. I will be hosting. It will be great.

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A couple of days ago, I read Justin Sirois's book MLKNG SCKLS. It's a remarkable little book—a series of excerpts, in fact—from a novel he's working on about an Iraqi escaping Fallujah.

The language is not dense, but it has a deep and impressive lyricism. Sirois has a gift for lyrical writing that in no way seems forced. The alliteration and internal rhymes that occur in the well-constructed sentences work in ways they don't in a lot of prose lyricism. He is restrained, picking the right spots to deploy a rhetorical figure to advantage.

The books two main characters are walking through the Iraqi desert, journeying from Fallujah to Ramadi, one recording it all on a laptop with a slowly draining battery. It has its Beckett precedents, but instead of Beckett's surreal, placeless place settings, MLKNG SCKLS is played out on the great contemporary American misadventure of our war in Iraq. Absurdity and tragedy collide every day in that Middle Eastern country, and Sirios recognizes and reveals it all well.

A favorite scene of mine features a man uncooking a meal, a task as seemingly impossible as, say, unringing a bell; or uninvading a country because of faulty, cooked intelligence. The characters manages his task. America, though, won't.

Looking forward to the novel, Justin. It's a great honor to share a publisher.